At ELLORA, 34 cave temples were
carved out of the hillside with hand tools. Only 12 of these 34 caves in the
centre are the most impressive. The massive Kailash Temple (cave 16) is
nearly one a half time taller than the Parthnon and occupies almost twice its
area. It is believed that it was constructed by excavating approx. 200,000 tons
of rock and is possible the world's largest monolithic structure.
Representing Shiva's Himalayan home, the temple is exquisitely sculpted with
scenes from Hindus mythology, each pulsing with drama, energy and passion.
The Kailash Temple situated near the village of Ellora. It is considered as
one of the most astonishing 'buildings' in the history of architecture. This
temple is the world's largest monolithic structure carved from one piece of
rock and the rock - hewn temples and monasteries of Ellora that lies just 30
kms from Aurangabad.. Kailash Temple at cave 16, were a big Shiva-linga (form
of Lord Shiva) is worshiped. It is the biggest building carved in a stone in
the whole world. is a part of Ellora Cave Complex. The Kailasanatha temple is
the world's largest monolith structure that was literally scooped out of the
hill side. Lord Shiva is worshipped in the form of a giant lingam in the
garba griha. Beautiful sculptures from Ramayana and Mahabharatha are carved
on the walls of this cave temple.
History
The depiction of the demon Ravana shaking Mount Kailash is a masterpiece
contain the scenes of semi-mythological history, the royal court and popular
life of the ancient times, as told in romances and plays. Some pictures
recall the Greek and Roman compositions and proportions, few late resemble to
Chinese manners to some extent. But majority belongs to a phase which is
purely Indian as they are found nowhere else. These monuments were
constructed during two different periods of time separated by a long interval
of four centuries. The older ones were the product of last to centuries
before Christ and belongs to Hinayana period of Buddhism in later part of 2nd
century AD when Buddhism was divided into two sections, after the conduct of
the fourth general council under another great king, Kanishka.
The new feature of Mahayana
Buddhism was the concept of future Buddha's. The Buddha, himself probably
thought that he was the last of the long succession of earlier Buddha's who
lived before him. According to the Buddhist traditions, these former Buddhas
were revered even in the historical Buddha's lifetime. By the time king
Ashoka, their cult was widespread and was patronized by Ashoka. Later, when
the stupas were constructed and beautified, the carvings were executed in a
symbolic way. An inspired sculptor began to carve images of Buddha himself
and within the few generations, all the Buddhist sects took to worshipping
images. The universe of Mahayana contains numerous Bodhisattava, the chief of
whom is Avalokitesvara with attributes of compassion. He is also called
Padmapani or the lotus bearer. The Manjushri with a naked sword in one hand,
stimulates the understanding. The sterner Bodhisattava who is a foe of the
sin and evil and bearing a thunderbolt in the hand is Vajrapani. The future
Buddha, Maitreya will take birth to save the world.
Architeure
It is believed that work on the Kailasha temple was begun in the mid-8th
century and under the direction of King Krishna I (757-775) of the
Rashtrakutadynasty, the rulers of the western Deccan area. One of the India's
greatest architectural treasures was hewn out of the solid rock of the
hillside to form a free-standing temple consisting of a gateway, two-storied
halls and the main shrine within. The most majestic creation is the Kailash
Temple, a full-sized freestanding temple flanked by huge elephants all carved
from solid rock, pillars and pondiums, as the workers dug away some 200,000
tons of rock. The result is an awe-inspiring representation of Shiva's
Himalayan abode. Nearby caves are alive with stone murals depicting divine
struggles and victories. With these caves before us, it is clear that India
far surpasses the rest of the world in the glory of its rock-cut
architecture.
|
No comments:
Post a Comment